by Christopher Sutton | Apr 3, 2012 | Music, Piano
As a keen self-taught pianist I’m always excited to find innovative new web sites or apps that try to help you learn piano. I’ve written previously about OnlinePianist, which recently launched a more slick and powerful version of their interactive tutorial app.
Another richly rewarding site is freepianomusic.org. I must confess that at first my web developer brain saw the SEO-friendly domain name and site content, lots of mention of free material and free sheet music, and Google Ads embedded here and there and was a little suspicious… There are so many junk sites out there just trying to drive traffic and earn advertising revenue (especially in the area of guitar tab and sheet music) that the jaded skeptic in me suspected this might just be another of those.
I was pleasantly surprised though to discover that there’s valuable content here. Though the category links in the sidebar may give the impression the site is a treasure trove of free sheet music in fact it’s more of a ‘jumping off point’, with most of the sheet music pages linking out to online stores to purchase the actual downloads. There is however a lot of guidance and information provided, along with useful links to other resources (including the superb free book Fundamentals of Piano Practice).
I enjoyed taking the “Piano IQ Quiz”, learning a little something about Percy Mayfield and Grieg along the way. Hopefully more interactive elements will be added in future!
Not only does the site have a lot to offer, but it turns out (more…)
by Christopher Sutton | Jan 29, 2012 | A Cappella, Music
This is one of a number of posts on the London A Cappella Festival 2012. You can also read more about Saturday’s events and several other posts about the festival!
After some interesting workshops in the morning, a fun barbershop concert, a fascinating discussion on music education and panel session, Saturday finished the festival strong – with two superb final concerts.
FreePlay Duo
The first concert was the London Vocal Project, who were supported by FreePlay Duo: a collaboration between Dylan Bell (formerly of Cadence) and Suba Sankaran (whose bio is too vast and varied to squeeze into parentheses).
They performed just four songs: two using live looping (the pair had run the live looping workshop earlier in the day) to layer sound upon sound, and two performed directly. As befit the festival, all sounds were created live with the human voice – but the variety of timbres and textures created was truly impressive.
Aside from the skillful use of a digital loopstation, what is perhaps most striking about the duo is their mixing of musical styles, blending pop, and Western and Indian classical music into one surprisingly cohesive performance. Speaking of blending – (more…)
by Christopher Sutton | Jan 14, 2012 | A Cappella, Music
Another amazing night at the London A Cappella Festival. I’m trying hard to avoid these posts just being whole-hearted enthusiasm, but the music is just so good – and let’s face it, there are plenty of professional music critics who can cast a negative light. Let them. I’m having a fantastic time!
Tonight’s line-up was Cadence, Canada’s premier all-male a cappella foursome, and FORK, the relative unknown from the not-so distant shores of Finland. Throw in some more Albert Hera and a few great foyer performances from up-and-coming a cappella groups and you have a second night that managed to live up to the superb first.
Cadence
I came to know Cadence through listening to countless episodes of the excellent podcast “Mouth Off” – a short weekly update on all things a cappella, packed with fantastic tunes and fun chat, courtesy of hosts Christopher and Dave. This was the first chance I’d had to experience them live though and they certainly did not disappoint.
After a sincere introductory reading of that classic poem “Blame Canada” from Swingle Kevin, the Cadence crew took to the stage, immediately setting the tone for a light-hearted but sleek and schmoooth performance. Their repertoire focuses on lounge jazz and big band type numbers, of which they are masters.
I would say the most distinctive aspects of the Cadence sound are their perfectly smooth voice blending and the superb brass section they transform into at the slightest provocation! Brass sounds (think trumpet, trombone, etc.) can be overused in a cappella music and there was no shortage here, but Cadence have it down to a fine art – close your eyes and you can actually believe it’s the real instruments you’re hearing.
Case in point: (more…)
by Christopher Sutton | Dec 22, 2011 | Church, Music
This is part four in a series of posts on music in the Catholic Church. Previously: Part one, part two and part three.
One big discovery for me during the World Youth Day trip was the music of Taizé – a Christian community in the East of France, where they have cultivated a distinctive style of worship, welcoming all denominations of Christianity and putting visual icons and a particular kind of repeating sung music at the heart of each service.
I don’t think I’d ever heard of Taizé before that week, though looking back later I realised I had once experienced their music.
A First Taste of Taizé
During a period of quiet prayer in a vigil service in my church last Easter, somebody started singing a simple tune, and others joined in:
The words were so short and the tune so simple, that within a couple of repeats I was able to join in, singing softly with the dozen or so other people there. It was a wonderful peaceful addition to the service and a really memorable moment for me. I recognised it as a new and different form of sung music than I was used to, but didn’t have the relationships or the information to really follow up on it and learn more at that time.
During the World Youth Day trip, some of the music used by our excellent volunteer choir was in a similar vein. In particular this piece caught my attention:
(more…)
by Christopher Sutton | Nov 5, 2011 | Church, Music
As I mentioned in my last post, the World Youth Day trip I went on this summer was particularly inspiring for me on the musical front. I’ve long been involved with and interested in church music, but the WYD week exposed me to some new and wonderful types of worship music (along with some old familiars which I like to varying degrees!)
This is the first in a series of posts on the topic of music in the church, inspired by the new music I encountered on that trip.
As it was in the beginning…
I grew up attending Catholic mass every Sunday with my family, which about half the time featured sung hymns. Depending on which local church we went to, some of the mass setting (e.g. the Gloria, Sanctus, etc.) might be sung, but for the most part it was hymns from a hymn book, accompanied by piano or organ.
I like hymns.
There are some fantastic hymns, and sung hymns can (if well chosen and well led) be a wonderful addition to a church service.
However.
The big curse of church hymns is that more often than not, they are performed at a snail’s pace, leaving even capable singers struggling for breath by the end of each tortuous line, and giving you so much time for your thoughts to wander during each verse you’re surprised the thing ever ends! Don’t get me wrong, I’m not some weirdo with a fetish for super-speedy hymns. I’m just looking for a reasonable tempo that’s something approximating speaking speed; enough to give the words some meaning and allow natural phrasing.
I’ve been guilty in the past of (more…)
My name's Christopher Sutton and this is my personal blog. You can learn more about me