by Christopher Sutton | Jan 15, 2012 | A Cappella, Music
After two stellar nights at the London A Cappella Festival (Thursday, Friday), I was excited to get stuck into the jam-packed Saturday agenda: three full concerts, plenty more foyer performances, an improvisation workshop, a panel talk and a music education discussion group.
Improvisation Workshop
I started the day by attending one of the three vocal workshops – the topic was improvisation, taught by Pete Churchill, whose London Vocal Project choir were performing later in the day.
I hadn’t been sure what to expect from a vocal improvisation workshop, but Pete quickly explained he wouldn’t just be spending an hour teaching us to sing scat! Instead he focused on how to manipulate a melody and play around with the rhythm to create your own improvised performance versions. The core message was on keeping a rock solid sense of the beat and auralising the standard melody in your head so you could improvise freely around it with a reliable rhythmic accuracy. It definitely stretched my ears in a good way – and being reminded of the importance of rhythmic discipline is never a bad thing. His suggestion that we kick back some evening, crack open a bottle of wine and spend some quality time with our metronome was heard loud and clear!
Pete Churchill teaches with a natural ease and the kind of clear, relaxed explanations that only come of real musical mastery. The workshop was a great experience, gave me lots to go away and think more about, and made me even more excited to see the London Vocal Project later in the day.
The workshop ended just in time to catch the tail-end of (more…)
by Christopher Sutton | Jan 14, 2012 | A Cappella, Music
Another amazing night at the London A Cappella Festival. I’m trying hard to avoid these posts just being whole-hearted enthusiasm, but the music is just so good – and let’s face it, there are plenty of professional music critics who can cast a negative light. Let them. I’m having a fantastic time!
Tonight’s line-up was Cadence, Canada’s premier all-male a cappella foursome, and FORK, the relative unknown from the not-so distant shores of Finland. Throw in some more Albert Hera and a few great foyer performances from up-and-coming a cappella groups and you have a second night that managed to live up to the superb first.
Cadence
I came to know Cadence through listening to countless episodes of the excellent podcast “Mouth Off” – a short weekly update on all things a cappella, packed with fantastic tunes and fun chat, courtesy of hosts Christopher and Dave. This was the first chance I’d had to experience them live though and they certainly did not disappoint.
After a sincere introductory reading of that classic poem “Blame Canada” from Swingle Kevin, the Cadence crew took to the stage, immediately setting the tone for a light-hearted but sleek and schmoooth performance. Their repertoire focuses on lounge jazz and big band type numbers, of which they are masters.
I would say the most distinctive aspects of the Cadence sound are their perfectly smooth voice blending and the superb brass section they transform into at the slightest provocation! Brass sounds (think trumpet, trombone, etc.) can be overused in a cappella music and there was no shortage here, but Cadence have it down to a fine art – close your eyes and you can actually believe it’s the real instruments you’re hearing.
Case in point: (more…)
by Christopher Sutton | Jan 13, 2012 | A Cappella, Music
Last night was the first night of the London A Cappella Festival 2012, and it certainly got off to a tremendous start.
The evening began with foyer performances by several choirs from the “Music In Offices” initiative, including from the BBC and Channel 4. They sang from the balcony above the concert hall foyer downstairs, which a friend of mind pointed out was a kind of reverse serenade…
The Vasari Singers
The first concert was the Vasari Singers – a choir I’d heard of but never heard. Before they took to the stage though, we were treated to a mini performance by Albert Hera, who apparently has been called the Italian Bobby McFerrin – not a bad description! He has an incredibly versatile voice and evokative facial expressions, and as he bopped and hooted his way through announcing the “L-O-N-D-O-N a capp-ell-a twen-ty twelve” he repeatedly cracked the audience up with his playful expressions, gestures, and sounds. Wonderful to start the festival with laughter and such a show of vocal capability!
Then the Vasari Singers began the festival in earnest, (more…)
by Christopher Sutton | Jan 9, 2012 | A Cappella, Music
Discussion group
“How to teach music… in perfect harmony”at the London A Cappella Festival 201214:50-15:30 in The Wenlock RoomSaturday 14th January, Kings Place, London
The last few years have seen a sharp increase in people’s interest in singing. From X-Factor and Pop Idol, to SingStar and Rock Band, to High School Musical and Glee, it’s clear there is massive public interest in singing and vocal groups.
Unfortunately it seems so far like the message of each of those franchises is centered squarely on celebrityism and pop star success – rather than developing real musical ability.
Can this widespread enthusiasm be harnessed to really drive music education forwards and encourage a new generation of truly talented musicians to emerge?
This week the London A Cappella Festival is held at Kings Place, curated by The Swingle Singers and Ikon Arts Management.
I’m proposing an informal discussion group as an #LACFextra, on the topic of a cappella for music education, tentatively entitled “How to teach music… in perfect harmony”. Not so much “How can we teach a cappella music?” as “How can we use a cappella to teach music?”
Some initial suggestions for discussion topics:
- Why use a cappella for music education?
- What areas of teaching music could a cappella be relevant to?
- What specific benefits are there to using a cappella music for teaching?
- Why isn’t it already more used?
- How has it been used? Any successful experiences?
- How can technology bolster a cappella in music ed?
- What can we do to accelerate music education using a cappella music?
- What potential collaborations between music ed. professionals/companies and a cappella groups are there?
The discussion will be open to everyone, and we’re hoping we might even entice a few of the festival performers to join us.
Details of time and location will be announced later this week, but the discussion will be at Kings Place during the day on Saturday and run for 30-40 minutes.
UPDATE: The discussion will take place in The Wenlock Room of Kings Place, from 14:50-15:30 on Saturday 14th.
If you’re interested in this topic, please:
- Leave a comment below to say you’ll come along (and suggest any further discussion points)
- Help spread the word using the social media buttons below, or by linking to this post and using hashtag #LACFextra.
If you’re not currently planning on attending LACF2012… Why not? Read a bit about last year’s festival and change your mind!
Sincere thanks to Jessica from Ikon Arts for supporting this LACFextra event.
by Christopher Sutton | Dec 22, 2011 | Church, Music
This is part four in a series of posts on music in the Catholic Church. Previously: Part one, part two and part three.
One big discovery for me during the World Youth Day trip was the music of Taizé – a Christian community in the East of France, where they have cultivated a distinctive style of worship, welcoming all denominations of Christianity and putting visual icons and a particular kind of repeating sung music at the heart of each service.
I don’t think I’d ever heard of Taizé before that week, though looking back later I realised I had once experienced their music.
A First Taste of Taizé
During a period of quiet prayer in a vigil service in my church last Easter, somebody started singing a simple tune, and others joined in:
The words were so short and the tune so simple, that within a couple of repeats I was able to join in, singing softly with the dozen or so other people there. It was a wonderful peaceful addition to the service and a really memorable moment for me. I recognised it as a new and different form of sung music than I was used to, but didn’t have the relationships or the information to really follow up on it and learn more at that time.
During the World Youth Day trip, some of the music used by our excellent volunteer choir was in a similar vein. In particular this piece caught my attention:
(more…)
My name's Christopher Sutton and this is my personal blog. You can learn more about me