by Christopher Sutton | Dec 23, 2011 | Ear Training
There’s no such thing as not playing. Music has rests in it. So, you’re on a rest and the music will begin shortly.
If you’re interested in musicianship, aural skills, and ear training, most of the practice you do probably revolves around listening to sounds. Whether you use individual notes, chords, rhythmic parts, complex timbres, or practise active listening in real music, you probably spend your training time listening. As well you should!
But perhaps we’re forgetting a complementary part of developing our ears for music?
Claude Debussy said that music is in the space between the notes, and it’s important to remember that silence can be just as important as music.
Silent Adoration
In the midst of a week filled with all kinds of exciting music, most of it new to me, I went for the first time to an “adoration of the blessed sacrament” service. Though I was raised Catholic, this is a part of the Catholic tradition I’d never really come into contact with before. The service started with some prayers spoken together, the sacrament was presented at the altar, and then for the rest of about an hour we simply knelt and prayed. In silence.
This was a marked change from the rest of the services during the week which were lively, musical and generally full of youthful exuberance. We simply knelt, and prayed, in silence.
That’s not to say that the world was silent around us.
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by Christopher Sutton | Dec 22, 2011 | Church, Music
This is part four in a series of posts on music in the Catholic Church. Previously: Part one, part two and part three.
One big discovery for me during the World Youth Day trip was the music of Taizé – a Christian community in the East of France, where they have cultivated a distinctive style of worship, welcoming all denominations of Christianity and putting visual icons and a particular kind of repeating sung music at the heart of each service.
I don’t think I’d ever heard of Taizé before that week, though looking back later I realised I had once experienced their music.
A First Taste of Taizé
During a period of quiet prayer in a vigil service in my church last Easter, somebody started singing a simple tune, and others joined in:
The words were so short and the tune so simple, that within a couple of repeats I was able to join in, singing softly with the dozen or so other people there. It was a wonderful peaceful addition to the service and a really memorable moment for me. I recognised it as a new and different form of sung music than I was used to, but didn’t have the relationships or the information to really follow up on it and learn more at that time.
During the World Youth Day trip, some of the music used by our excellent volunteer choir was in a similar vein. In particular this piece caught my attention:
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by Christopher Sutton | Nov 12, 2011 | Church, Music
This is part two in a series of posts on music in the Catholic Church. Part One covered my background and experience of Church music growing up.
So what does Church music look like today? Well it’s often very much that traditional hymn-singing I talked about.
But there are a few other types of church music…
Raise your hands
One mode of modern church music is what I think of as “Happy-Clappy” style. That’s too disrespectful a name really, but it’s the kind of music where you’re singing songs rather than hymns, the words aren’t based on scripture but are much more informal and secular-sounding, the music is more poppy and modern. Often there are actions (I must confess I cringe just saying that) and there’s a lot of clapping and waving arms in the air.
For a long time I was absolutely dismissive of this.
There’s a body of church music coming from African-American Gospel music, which is more upbeat, lively, and, well, ‘clappy’. I respect that as a genre and a mode of worship, although it isn’t one I’ve ever identified with. I think that’s the influence behind the rise of guitar-based poppy music in Catholic churches, often as part of youth outreach efforts, or children’s masses.
In dedicated family or children’s masses I think the agenda is different, and I think that style of music definitely has a place there. But until recently I would have been pretty resistant to its inclusion in any other masses, where I feel it’s mostly a distraction.
Waking up
I was given cause to rethink this by my experiences in Madrid this summer. (more…)
My name's Christopher Sutton and this is my personal blog. You can learn more about me