by Christopher Sutton | Jul 25, 2016 | General
I am not a natural participator.
I’m an introvert and my personality type means I prefer just focusing in and doing something myself rather than collaborating with others… Fortunately I grew up with two older sisters who made sure I didn’t turn out entirely asocial.
Put me in a team for a project and I’ll be comfortable working together. I’ll even happily take the lead—though mostly out of impatience for action to be taken!
When it comes to online communities, I’m not a big contributor.
I don’t post YouTube comments, I barely interact with friends and family on Facebook, and though I’m technically a member of dozens of online communities, there are only two or three which I would say I’m an “active member” of.
Since joining the Dynamite Circle three years ago I have posted over 1,000 replies in the forums and started almost 100 discussions myself. I am not just an active member, but actually help out on a voluntary basis as part of the “leadership team”. This month I travelled internationally to attend one of their in-person events.
And here I am, writing a blog post—my first in years—simply because I love and value this community and want to do whatever I can to help it continue to grow and maintain its incredibly high quality.
So why has the DC had such an impact on my life, when I’m not a natural participator and all those other sites I’m a “member” of have failed to draw me in?
At the DC event in Barcelona this summer
Before we get into that, I should explain how I came to join the DC in the first place…
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by Christopher Sutton | May 4, 2012 | Ear Training, Music, Technology
A few days ago I attended a fantastic discussion panel session at The Hub, Westminster, entitled “The Future of Musicianship”. It was the first event put on by the newly-launched “Loving and Living Music” project, brainchild of Ben Hillyard and Heli Rajasalo.
The goal of the initiative is outlined in detail here but to give you an idea:
What we are looking for in the Loving & Living Music project is a definition or a description of musicianship that includes all aspects of musicianship across all genres and instruments. Having this definition will enable discussion of musicianship to take place on a wider scale than is possible today.
We see a gap in the way that music in commonly taught. With the Loving & Living Music project we are looking to provoke awareness and discussion among the music education sector about how Musicianship is and could be taught.
The future of musicianship is a subject close to my heart due to my work with Easy Ear Training, where we try to use modern technology to make learning music more fun, easy and effective.
The event was fascinating, and the discussion broad and interesting. I won’t try to recount the discussion (not least because the entire panel session is now available online) but the event was eye-opening for me in a number of ways.
Musicianship is not what I thought.
In my work at Easy Ear Training I live immersed in a world of aural skills and over time (more…)
by Christopher Sutton | Jan 29, 2012 | A Cappella, Music
This is one of a number of posts on the London A Cappella Festival 2012. You can also read more about Saturday’s events and several other posts about the festival!
After some interesting workshops in the morning, a fun barbershop concert, a fascinating discussion on music education and panel session, Saturday finished the festival strong – with two superb final concerts.
FreePlay Duo
The first concert was the London Vocal Project, who were supported by FreePlay Duo: a collaboration between Dylan Bell (formerly of Cadence) and Suba Sankaran (whose bio is too vast and varied to squeeze into parentheses).
They performed just four songs: two using live looping (the pair had run the live looping workshop earlier in the day) to layer sound upon sound, and two performed directly. As befit the festival, all sounds were created live with the human voice – but the variety of timbres and textures created was truly impressive.
Aside from the skillful use of a digital loopstation, what is perhaps most striking about the duo is their mixing of musical styles, blending pop, and Western and Indian classical music into one surprisingly cohesive performance. Speaking of blending – (more…)
by Christopher Sutton | Jan 16, 2012 | A Cappella
This is one of a number of posts on the London A Cappella Festival 2012. You can also read more about Saturday’s events and several other posts about the festival!
It would be a great pity to have so many top a cappella groups, and industry movers-and-shakers in one place and not sit them down to discuss the state of the world. Fortunately this year just such a panel was organised.
Part one: Competition & Collaboration
Led by Jes Sadler, the panel session had two halves. The first part was a discussion of the value of competition and collaboration in the world of a cappella music, and featured Clare Chen (Vocal Asia), Florian Städtler (VocalBlog), Bill Hare (legendary a cappella producer) and Belinda Magee (Sing A Cappella). Though the discussion was brief, there were some great points made. I particularly liked Bill Hare’s assertion that the vibe at a really good a cappella competition is much the same as a friendly a cappella festival. The talk around the unreality of reality TV and drama shows like Glee was also interesting.
One funny but non-trivial issue raised by an audience question was whether the a cappella community is, in fact, too nice… It was suggested that some grittier collaborations, or simply less chirpy an attitude might help make a cappella music more accessible to those who write it off as superficial or cheesy.
It certainly is a remarkable close-knit and welcoming community in my experience. You only need to look at (more…)
by Christopher Sutton | Jan 15, 2012 | A Cappella, Music
After two stellar nights at the London A Cappella Festival (Thursday, Friday), I was excited to get stuck into the jam-packed Saturday agenda: three full concerts, plenty more foyer performances, an improvisation workshop, a panel talk and a music education discussion group.
Improvisation Workshop
I started the day by attending one of the three vocal workshops – the topic was improvisation, taught by Pete Churchill, whose London Vocal Project choir were performing later in the day.
I hadn’t been sure what to expect from a vocal improvisation workshop, but Pete quickly explained he wouldn’t just be spending an hour teaching us to sing scat! Instead he focused on how to manipulate a melody and play around with the rhythm to create your own improvised performance versions. The core message was on keeping a rock solid sense of the beat and auralising the standard melody in your head so you could improvise freely around it with a reliable rhythmic accuracy. It definitely stretched my ears in a good way – and being reminded of the importance of rhythmic discipline is never a bad thing. His suggestion that we kick back some evening, crack open a bottle of wine and spend some quality time with our metronome was heard loud and clear!
Pete Churchill teaches with a natural ease and the kind of clear, relaxed explanations that only come of real musical mastery. The workshop was a great experience, gave me lots to go away and think more about, and made me even more excited to see the London Vocal Project later in the day.
The workshop ended just in time to catch the tail-end of (more…)
I am not a natural participator. 
My name's Christopher Sutton and this is my personal blog. You can learn more about me