by Christopher Sutton | Apr 3, 2012 | Music
After my LACF blitzkrieg in January, I’m slightly hesitant to post another concert review here, considering myself neither a music critic nor concert review blogger.
But last night’s Mountain Goats concert at the Barbican, featuring Owen Pallett and Anonymous 4, was one of the best I have ever attended – and brought me such joy I can’t help but want to share it.
Transcendental Youth
A few months ago, I got hugely excited on seeing this blog post over on mountain-goats.com. John Darnielle describes the chance to work with Owen Pallett and Anonymous 4 as being like a “kid in the candy shop, after hours, with the go-ahead to have all the candy I like” and I can see that. At the time it was planned for New York only, but the addition of a performance at the Barbican in London made me hugely happy.
Why was this an exciting announcement to me?
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by Christopher Sutton | Jan 15, 2012 | A Cappella, Music
After two stellar nights at the London A Cappella Festival (Thursday, Friday), I was excited to get stuck into the jam-packed Saturday agenda: three full concerts, plenty more foyer performances, an improvisation workshop, a panel talk and a music education discussion group.
Improvisation Workshop
I started the day by attending one of the three vocal workshops – the topic was improvisation, taught by Pete Churchill, whose London Vocal Project choir were performing later in the day.
I hadn’t been sure what to expect from a vocal improvisation workshop, but Pete quickly explained he wouldn’t just be spending an hour teaching us to sing scat! Instead he focused on how to manipulate a melody and play around with the rhythm to create your own improvised performance versions. The core message was on keeping a rock solid sense of the beat and auralising the standard melody in your head so you could improvise freely around it with a reliable rhythmic accuracy. It definitely stretched my ears in a good way – and being reminded of the importance of rhythmic discipline is never a bad thing. His suggestion that we kick back some evening, crack open a bottle of wine and spend some quality time with our metronome was heard loud and clear!
Pete Churchill teaches with a natural ease and the kind of clear, relaxed explanations that only come of real musical mastery. The workshop was a great experience, gave me lots to go away and think more about, and made me even more excited to see the London Vocal Project later in the day.
The workshop ended just in time to catch the tail-end of (more…)
by Christopher Sutton | Jan 14, 2012 | A Cappella, Music
Another amazing night at the London A Cappella Festival. I’m trying hard to avoid these posts just being whole-hearted enthusiasm, but the music is just so good – and let’s face it, there are plenty of professional music critics who can cast a negative light. Let them. I’m having a fantastic time!
Tonight’s line-up was Cadence, Canada’s premier all-male a cappella foursome, and FORK, the relative unknown from the not-so distant shores of Finland. Throw in some more Albert Hera and a few great foyer performances from up-and-coming a cappella groups and you have a second night that managed to live up to the superb first.
Cadence
I came to know Cadence through listening to countless episodes of the excellent podcast “Mouth Off” – a short weekly update on all things a cappella, packed with fantastic tunes and fun chat, courtesy of hosts Christopher and Dave. This was the first chance I’d had to experience them live though and they certainly did not disappoint.
After a sincere introductory reading of that classic poem “Blame Canada” from Swingle Kevin, the Cadence crew took to the stage, immediately setting the tone for a light-hearted but sleek and schmoooth performance. Their repertoire focuses on lounge jazz and big band type numbers, of which they are masters.
I would say the most distinctive aspects of the Cadence sound are their perfectly smooth voice blending and the superb brass section they transform into at the slightest provocation! Brass sounds (think trumpet, trombone, etc.) can be overused in a cappella music and there was no shortage here, but Cadence have it down to a fine art – close your eyes and you can actually believe it’s the real instruments you’re hearing.
Case in point: (more…)
My name's Christopher Sutton and this is my personal blog. You can learn more about me